The value of the painting of the building structure

When the artist begins painting his composition to the challenge in determining the shapes of the solid structure. It is the arrangement of shapes and is not necessarily the subject himself, which gives an advantage to the painting. And when the shapes are given values, the values which allow one painting through his case go to the Viewer to the shapes like the pattern.

Before you begin painting, the artist draws a substantial number of small studies using simple shapes, each providing a specific value; either in the dark, light or mid tone. After the small thumbnail sketches or those with less than 4 x 6 inches, one can make changes, and change the values before painting starts. Each shape is important, including the sky-shape. Format should be designed as part of the whole painting. The configuration is, all the parts and shapes, even if this means a total of a dominant position. In the first place, at the place of good design is only a little painting was started.

Consider where the contact center is in the interest of the painting. Can be, if you put most of the highest contrast, color, or shape of the more interesting. It can be a phrase or concept of painting. The values of the interest in the center of the eye should lead in the direction of. The value of the texture, which may lead to the outside by the viewer misdirects the painting so be careful if you put the darkest black and kevyimmän light.

Try to avoid that all displays all the size and the distance between shapes. Spice of life, the variety is, and you want to organize them in a way that the viewer will not be displayed in the monotonous interfaces. Remember that the shadows are also shapes. Add a shadow to shaped skill advantage. And to understand that the negative spaces, such as leaves, branches, or between the trees are shapes that hold the eye of the Viewer. Design the intrigue his many excursions through the painting and the viewer.

After the initial sketches, begin drawing in the composition of the plan to use, support for the canvas or paper. Find a way to support the drawing to place the way that you do not need to remove the lines of the pen in the trace method. If the oils, painting on the values of the begin, i.e., the lights and dark Paint down your substrate alkali thinned. Covers the entire canvas in your original burned Umbra or Siena in color. When this dries, you can set the color.

Be the expert has drawn up the forms and values of learning ". Invoking the shapes instead of merely a dramatic statement in Excel that allows you to design the painting.

Beth cook is an artist who loves to write about art. He also proposes to explore art classes in Plano, TX and classes in the arts TX McKinney.

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